Newcastle natives – the singing guitarist and pianist Alan Hull, guitarist Simon Cowe, multi-instrumentalist Lindsay Raymond Ray Jackson, bassist and violinist Roderick Parry Clements, and the drummer Raymond Laidlaw formed the group in 1968. First, it was called “Downtown Faction”, then “Brethren”. In 1968, the participants learned about the existence of the American group called “Brethren” and renamed their ensemble “Lindisfarne” – in honor of “The Holy Island”, located near the Northumberland Coast. A new name was rather consistent to a new, folk-rock direction of the group. In 1970, “Lindisfarne” subscribed to Charisma Records, the leading English progressive-label that was directed by Tony Stratten-Smith.
About Lindisfarne
Debut Album
The debut album was entitled “Nicely Out of Tune”, as the band members believed that they were in a “sweet non-compliance” with all the prevalent in the music culture styles and trends. The music disc connected initial optimism of the early pub rock, folk-rock, hippy (“Fairport Convention”, early “Grateful Dead”), as well as the elements of the proletarian song culture of the end of the XIX – the first half of the XX century. The album and singles from it, “Clear White Light” and sad-romantic “Lady Eleanor” (which became the Central thing in the repertoire of the ensemble), did not have a success in the charts, but the concert performance of it decided everything: its popularity was rapidly to grow.
Second Release
The second album “Fog on the Tyne” (1971) consisted mainly of light and melodic, gracefully arranged folk/pub-compositions, entered the British hits in October 1971, and slowly rose up. The single “Meet Me on the Corner" rose up to the 5th place, and immediately the album took off at the top unexpectedly. During the months, “Nicely Out of Tune” occupied the 8th place.
Change of the Label
Transition to the Mercury Records brought the group good luck (the singles “Run for Home” and “Warm Feeling” from the album “Back & Fourth” and “The News” relatively), but then it became clear that they would not return to the lost positions to rise. In the 80s, the group continued to attract a lot of spectators on their concerts and they regularly recorded – especially after they set up their own company Lindisfarne Musical Productions and signed a contract with LMP Records.